Do Government Subsidies for Film Production Create a 'Race to the Bottom'?
Chicago Reader |
November 30, 2009
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Student Loans Tying You Down?new
Don't look for help from Congress's latest fix.
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European Report Shatters the Myth of the Olympics' Economic Benefitsnew
While boosters predict that hosting the 2016 Olympics would bring Illinois $22.5 billion, a crucial report from the European Tour Operators Association came to the conclusion that "there appears to be little evidence of any benefit to tourism of hosting an Olympic Games, and considerable evidence of damage."
Chicago Reader |
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Chicago's Olympic Bid: What's In It for the Arts?new
Why are the city's nonprofit cultural institutions lining up behind a bid that looks dicey enough to send almost half the sports-besotted Chicago public running the other way?
Chicago Reader |
Deanna Isaacs |
09-14-2009 |
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From Iraq to Iowanew
With a little help from Kartemquin Films, Usama Alshaibi documents the Arab-American experience.
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Ed M. Koziarski |
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Tags: Usama Alshaibi, Kartemquin Films
Chris Rock in a Hard Placenew
The comedian faces a classic African-American dilemma.
Chicago Reader |
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The Bad Lieutenant Gone Wildnew
When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
Chicago Reader |
J.R. Jones |
11-23-2009 |
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How Exactly is Diablo Cody's Update of the Rape-Revenge Shocker 'Feminist'?new
In the earlier rape-revenge movies, patriarchy was an evil to be overcome. In Jennifer's Body, on the other hand, an opening voice-over tells us that "hell is a teenaged girl"—or more precisely, the friendships between teenage girls. Cody claims that's feminist, but I must confess, I don't see it.
Chicago Reader |
Noah Berlatsky |
09-28-2009 |
Reviews
'The Baader Meinhof Complex' Reveals a Journalist Who Went Over the Edgenew
The most complex character in the movie, the one who provides the viewer with an entry point into this hothouse of violent fanatics, is herself a journalist -- Ulrike Meinhof, a columnist for the left-wing magazine Konkret who stunned her family and colleagues in May 1970 by throwing in with a cadre of self-styled revolutionaries.
Chicago Reader |
J.R. Jones |
09-14-2009 |
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