Chicago Newcity
Attitude with substance. That's Newcity. We offer up a fresh take on culture and city flavored by a lifelong love of the metropolis we cover. With a combination of in-depth reporting, vivid profiles and sassy commentary on the issues that...
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More by Dave Cantor
Alone, together: Dosh expands his experiment in a vaccumnew
Like the majority of “Milk Money,” its longest track stubbornly develops a recognizable theme and rhythm. Listeners need patience to get there. The album’s cover might be a bit more concretely rooted in the world we all inhabit, but musically? It’s greatly transcendental moments of manipulated keys and surprising, dropped in edits.
Chicago Newcity |
Dave Cantor |
12-02-2013 |
Profiles & Interviews
Jacco Gardner’s Age of Discoverynew
“I had a quite clear visual image when I made that song,” Jacco Gardner says of “Cabinet of Curiosities.” “It’s from a time when dreams and reality came together in a way … like the first [explorers] who saw an elephant, and they made a drawing of it. It looked like a monster."
Chicago Newcity |
Dave Cantor |
10-21-2013 |
Profiles & Interviews
Tags: Jacco Gardner
Hawkwind's Persistent Visionnew
The current incarnation of Hawkwind, including dancers and a light crew, counts about ten people, all dedicated to crafting a stage show to extol the psychedelic virtues of the ensemble’s 1975 work. Brock refers to the album as “the last part of the jigsaw puzzle from the seventies.” And while it was the final album featuring Lemmy on bass, Hawkwind issued several additional long-players during that decade.
Chicago Newcity |
Dave Cantor |
10-10-2013 |
Profiles & Interviews
Tags: Hawkwind
More by Chicago Newcity
Alone, together: Dosh expands his experiment in a vaccumnew
Like the majority of “Milk Money,” its longest track stubbornly develops a recognizable theme and rhythm. Listeners need patience to get there. The album’s cover might be a bit more concretely rooted in the world we all inhabit, but musically? It’s greatly transcendental moments of manipulated keys and surprising, dropped in edits.
Chicago Newcity |
Dave Cantor |
12-02-2013 |
Profiles & Interviews
Jacco Gardner’s Age of Discoverynew
“I had a quite clear visual image when I made that song,” Jacco Gardner says of “Cabinet of Curiosities.” “It’s from a time when dreams and reality came together in a way … like the first [explorers] who saw an elephant, and they made a drawing of it. It looked like a monster."
Chicago Newcity |
Dave Cantor |
10-21-2013 |
Profiles & Interviews
Tags: Jacco Gardner
Hawkwind's Persistent Visionnew
The current incarnation of Hawkwind, including dancers and a light crew, counts about ten people, all dedicated to crafting a stage show to extol the psychedelic virtues of the ensemble’s 1975 work. Brock refers to the album as “the last part of the jigsaw puzzle from the seventies.” And while it was the final album featuring Lemmy on bass, Hawkwind issued several additional long-players during that decade.
Chicago Newcity |
Dave Cantor |
10-10-2013 |
Profiles & Interviews
Tags: Hawkwind
Guttural Rhythms: The Science of Ted Sirota’s Heavyweight Dubnew
Honing in on sounds drawn from Jamaica invariably abut America’s jazz tradition. Drummer Ted Sirota’s more than vaguely familiar with both. But his estrangement from reggae and dub didn’t occur because of lacking fealty. The drummer just found himself more easily insinuated into jazz ensembles.
Chicago Newcity |
Dave Cantor |
09-20-2013 |
Profiles & Interviews
Tags: Ted Sirota
Just A Rambler: Nick Garrie Reclaims His Masterful “Nightmare”new
He says the album’s recording wasn’t hijacked back in 1968. But if Nick Garrie didn’t think “The Nightmare of J.B. Stanislas” existed in bastardized form, he likely wouldn’t be traversing the Atlantic Ocean to set it all right.
Chicago Newcity |
Dave Cantor |
09-03-2013 |
Profiles & Interviews
