Sometimes, I think Danish filmmaker Lars von Trier is a genius (The Kingdom, for example). Other times, I think he’s just an asshole (let’s go with Dogville). His newest film, the controversy-baiting horror whatsit Antichrist, is a coin toss.
Antichrist might be worth hating, but the film is nonetheless incredibly compelling.
An instantly notorious award-winner at this year’s Cannes Film Festival, Antichrist proves to be an alternately draggy, repellent and opaque cinematic experience, while clearly representing devoted efforts from several master screen artists.
I've been thinking about this film for weeks, slowly turning it over in my head, and while I still haven't fully sussed it out, I do know that Antichrist is visually arresting, relentlessly cruel, and intensely, genuinely interesting.
Von Trier is a master filmmaker, and his exploration into the genre of horror has given us a film far more frightening than anything Hollywood would ever allow.
I'm torn between dismissing the film as gross-out juvenilia and regarding it as raw religious mythmaking. Either way, you won't find a livelier time at the movies these days, if only because of the outraged groans and dumfounded gasps from the audience.
The second (and final) third of Lars von Trier's miniseries comes to DVD.
Von Trier assures us at the outset that this will be a "cozy comedy," the last thing you might expect from this prickly filmmaker.
Lars von Trier's latest film will make you laugh, but it won't make you think.
In The Boss of It All, the owner of a Danish IT firm has invented the titular Boss, an absent ogre who communicates with his underlings only through e-mail.
Lars von Trier plays office politics.
Lars von Trier takes a break from his trademark approach to polemics to induce snide laughs with an office satire about an actor hired by an IT company CEO to pose as its president in order to sell off the company.
Von Trier surprises with a new bag of gimmicks.
Lars von Trier discusses the liberating power of restrictions.
Lars von Trier scolds everyone in this well-made but extremely negative flick.
By shaking the hornet's nest of American race relations, von Trier has guaranteed that at least some viewers will find Manderlay injurious.
For someone whose talent is so universally admired, Lars Von Trier seems to generate more bitter contention than anyone else making movies today -- Manderlay is sure to continue this trend.
Lars von Trier pushes Dogville one step further.
Von Trier's redundant Dogville sequel dilutes the vitriol for a didactic tale of democracy gone awry.
Torture reigned inside and outside movie theaters in 2004.
Actors and audiences seek out von Trier's films because they know he will be innovative and challenging. Sometimes too challenging - it appears, Nicole Kidman and James Caan will not work with him again.