Wes Anderson
Wes Anderson conquers animation with the charming Fantastic Mr. Fox.
Tucson Weekly 590 words
Rather than break out of Andersonville and into the real world, the filmmaker burrows further into the fantasy realm with 'Fantastic Mr. Fox.' Ironically, Anderson’s latest turns out to be his most heartfelt, human movie since 'Rushmore,' despite its cast of woodland beasts.
A decade after Rushmore and The Royal Tenenbaums, Generation Y's anointed auteur tries for a comeback with Fantastic Mr. Fox.
L.A. Weekly 3899 words
In Wes Anderson's hands, Roald Dahl's imaginative child's story takes on a meta significance as a human-development-coming-of-age story that applies across age groups, generations, social strata, and even species.
City Pulse 819 words
Owen Wilson and Wes Anderson sit down to discuss the fantastic Bottle Rocket on the film's new DVD release. Also reviewed: Saturday Night Live: The Complete Fourth Season, Burn After Reading and Lost: The Complete Fourth Season (The Expanded Experience).
Tucson Weekly 835 words
Wes Anderson proves yet again he's a master storyteller with this tale of three brothers on a trek through India. Also reviewed: Walker and The Sporting Life.
Tucson Weekly 845 words
Wes Anderson adds a human touch to his usual arresting visuals in the impressive Darjeeling Limited.
Tucson Weekly 935 words
This is probably the most striking, and perhaps the most memorable, of Wes Anderson's five films. This doesn't mean that it's the best, or even that it's good.
Artvoice 746 words
Wes Anderson's McSweeneysification of movies.
With a scant wire frame of a plot, writer/director Wes Anderson is content to let the plot's details slip into a blurry haze, focusing on the tone and the spirit of the film more than its specifics.
The thing that elevates The Darjeeling Limited, what makes it a movie well worth seeing, is how aware the director is of limitations -- in his characters and himself.
Willamette Week 775 words
Anderson, the director-guru of hipsters everywhere, has returned with his best film since Rushmore.
San Diego CityBeat 625 words
Riding the bittersweet comeback, The Darjeeling Limited.
Chicago Newcity 754 words
With Darjeeling, Anderson has pared things down to what he cares about most: severely damaged-but-lovable rich brats and their photogenic knickknacks.
Wes Anderson understands the fragility (and humor) of families.
New York Press 868 words
The underappreciated Bill Murray and Wes Anderson shine in the underappreciated The Life Aquatic with Steve Zissou. Also reviewed: Spaceballs: Collector's Edition and Meet the Fockers.
Tucson Weekly 870 words
A lot of film critics are calling Wes Anderson's latest film a self-indulgent near miss. He can weather the abuse, having made a film that might be grim stuff were it not so dazzling and charming in its presentation.
Black & White 1504 words
Bill Murray won't get the elusive Oscar for this one -- for all its visual majesty, The Life Aquatic is too slight -- but the film is nevertheless a funny, bewildering, and giddy spectacle.
Austin Chronicle 625 words
By making Life Aquatic bizarrely unrealistic, Wes Anderson has created a masterpiece.
Tucson Weekly 940 words
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