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Spike Lee's latest New Orleans doc premieres on HBOnew

The American media tends to take a pit-bull approach to news. It grabs on, digs its teeth in, and then tosses the lifeless carcass to the wind when the sensation has run its course. Follow-through is not always the media's forte. Thank goodness, then, for documentary filmmakers who make sustained and methodical reportage their strong suit.
Charleston City Paper  |  Felicia Feaster  |  08-23-2010  |  Reviews

'Miracle at St. Anna' is a Miserable Messnew

Aside from one great scene, this Spike Lee wannabe epic disappoints in every way.
Tucson Weekly  |  Bob Grimm  |  10-09-2008  |  Reviews

Spike Lee Remembers Balck Braverynew

Lee has been fighting World War II long before the release of his latest film, Miracle at St. Anna. His campaign began with a salvo at Clint Eastwood for excluding black faces from Flags of Our Fathers and perpetuating the assumption that blacks contributed little to the U.S. victory.
Shepherd Express  |  David Luhrssen  |  10-03-2008  |  Reviews

Battle Fatigue Settles in on Spike Lee's WWII Epicnew

So why is his new film such an interminable, unfocused, ridiculous mess?
The Memphis Flyer  |  Addison Engelking  |  10-03-2008  |  Reviews

Spike Lee Goes to Warnew

In Miracle at St. Anna, he gets in touch with his inner Spielberg.
Los Angeles CityBeat  |  Andy Klein  |  09-26-2008  |  Reviews

Spike Lee’s Rivalry with Spielberg Continues with an All-black WWII Infantrynew

As another example of Lee settling scores, it ruins its own premise by attempting to out-do Saving Private Ryan.
New York Press  |  Armond White  |  09-25-2008  |  Reviews

Spike Lee Harangues the Audience in the Heavy-Handed 'Miracle at St. Anna'new

Even though I was steeled for a tetchy lecture on America's sad legacy of racism, this movie's sledgehammer didacticism fairly pounded me out of my seat.
Las Vegas Weekly  |  Mike D'Angelo  |  09-25-2008  |  Reviews

'Miracle at St. Anna' Shows War Isn't the Genre for Spike Lee

Spike Lee boxes outside of his directorial weight-class with a war story bogged down by ham-handed smacks of magical realism and over-pronounced examples of racial prejudice.
Maui Time  |  Cole Smithey  |  09-22-2008  |  Reviews

Spike Lee Tries is His Hand at War in 'Miracle at St. Anna'

Lee boxes outside of his directorial weight-class with a war story bogged down with ham-handed smacks of magical realism and over-pronounced examples of racial prejudice.
Maui Time  |  Cole Smithey  |  09-11-2008  |  Reviews

Watery Gravenew

Lee's profound, troubling document of a disaster illuminates deep, horrible undercurrents in American life.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-17-2006  |  Reviews

Too Self-Importantnew

Viewers who cut their teeth on Dog Day Afternoon are most likely to look charitably on Spike Lee's latest.
Orlando Weekly  |  Steve Schneider  |  03-30-2006  |  Reviews

Mo' Better Noirnew

Could Inside Man be a positive turning point in Spike Lee's career?
Tucson Weekly  |  James DiGiovanna  |  03-29-2006  |  Reviews

Spike Lee Scoresnew

Although with Denzel, Jodie, and Clive it would be difficult to go wrong, Spike Lee and screenwriter Russell Gewirtz have created a truly original film from various shopworn genre cliches.
Austin Chronicle  |  Marc Savlov  |  03-24-2006  |  Reviews

Inside Jobnew

Spike Lee puts a new spin on an old formula.
L.A. Weekly  |  Scott Foundas  |  03-23-2006  |  Reviews

Looks Are Deceivingnew

Unlike Crash, this is an accurate rendition of modern urban America's infinite gradations of prejudice, and a true portrait of how such impulses get submerged and redirected so people can get ahead.
New York Press  |  Matt Zoller Seitz  |  03-23-2006  |  Reviews

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