AltWeeklies Wire
'Synecdoche, New York': Everyone is Everyonenew
Charie Kaufman's directorial debut is a thoughtful, existential, and brilliant film
'Synecdoche': Imperfect Copiesnew
Charlie Kaufman overreaches with his surreal story of a director making his life into an ever-evolving play.
Tucson Weekly |
James DiGiovanna |
11-28-2008 |
Reviews
Screenwriter Charlie Kaufman Gets His Chance in the Director's Chairnew
The movies made from Kaufman's scripts often suffer from a certain airlessness, plunging deeper and deeper into a world with no center. Synecdoche, which takes its name from a literary device in which a part is substituted for the whole, takes that centerlessness as its central theme.
Philadelphia City Paper |
Sam Adams |
11-11-2008 |
Reviews
Kaufman Conquers: 'Synecdoche, New York' is a Surreal Surprisenew
Kaufman's directorial debut is as conceptually daring and narratively complex as his screenplays for Being John Malkovich, Adaptation and Eternal Sunshine Of The Spotless Mind. Elements of all three films can be spotted in this one, but with his own hand on the joystick Kaufman burrows further into his idiosyncratic world than ever before.
NOW Magazine |
Norman Wilner |
11-10-2008 |
Reviews
We're All Just Players in 'Synecdoche, New York'new
Synecdoche is conceptually enormous, and at times it threatens to collapse under the heavy weight of its ambition, but it’s also new, fresh and, if you're willing to take the stage with Kaufman, as tragic and exciting as real life itself.
San Diego CityBeat |
Anders Wright |
11-05-2008 |
Reviews
'Synecdoche, New York' Keeps Me Guessingnew
Charlie Kaufman's directorial debut may not be everyone's cup of tea. It's really quite brilliant, but it's also so difficult and so emotionally downbeat that it's hard to characterize it as "entertaining."
Los Angeles CityBeat |
Andy Klein |
10-24-2008 |
Reviews
Charlie Kaufman Turns to Philip Seymour Hoffman to Tackle His Neurosesnew
Entirely too "clever," this story about an upstate New York theater director parades all of Kaufman’s neuroses: sexual frustration, creative surfeit (not a creative block), body hatred and celebrity paranoia. What's missing is universality; that's swallowed up by Kaufman's intellectual egomania.
New York Press |
Armond White |
10-23-2008 |
Reviews
