AltWeeklies Wire
Quack! Media Plans on Complete Musical Success in This New Recession Economynew
In an era when the bloated infrastructure of the music industry as we have known it for the last 50 years is imploding, it's refreshing to see a back-to-basics approach succeed, as in the case of the Ann Arbor multimedia company.
Metro Times |
Chris Handyside |
11-17-2009 |
Music
#thissongissogreat: How to Change This Band's Life, in 140 Characters or Lessnew

The Twitter paradigm reverts to the antiquated record-store clerk model, where you discover new music because you trust the person behind the counter who loves something you've yet to hear.
VIP FTW! Bands are Using VIP Packages to Give Fans More Bang for Their Bucknew

As the music industry struggles to (re)invent itself, more touring bands are tapping a new revenue source: themselves. From European cult bands to arena-size superstars, premium-package ticket deals are an increasingly popular part of the concert-business model.
Riverfront Times |
D.X. Ferris |
09-25-2009 |
Music
How Trikont is Saving the World, One Compilation at a Timenew
It's safe to say that Achim Bergmann of Trikont, Germany's oldest independent record label, has an affinity for the underdog. The label's eclectic catalog has been transcending language boundaries and international borders long before "world music" became a Billboard buzzword.
San Francisco Bay Guardian |
Nicole Gluckstern |
09-22-2009 |
Music
Will Gossip Blog Notoriety Translate into Music Industry Clout for Perez Hilton?new
You could almost hear universal snickering in the music industry a few months ago when Perez Hilton announced his intention to start a label and become the next Jimmy Iovine. Now the industry watches to see what the Perezcious Music label will bring.
NOW Magazine |
Jason Keller |
09-21-2009 |
Music
Sub Pop Offshoot Hardly Art is Hardly Starvingnew
Like the now-defunct Sub Pop offshoot label Die Young Stay Pretty, Hardly Art receives financial backing from Sub Pop. But unlike DYSP, Hardly Art is determined to live to see middle age on its own dime.
Seattle Weekly |
Sara Brickner |
09-21-2009 |
Music
Why is Modest Mouse Frontman Isaac Brock Starting from Scratch With Obscure Portland Bands?new

Brock, 34, acknowledges that his new role as an indie label kingpin is a departure, though he's quick to add that he's always been interested in the business side of music.
Willamette Week |
Casey Jarman |
09-16-2009 |
Music
Music Companies Use 'Mafia' Strategies to Crack Down on Local Businessesnew
ASCAP, which touts itself as a performance-rights organization, has developed quite a reputation in Sacramento. Local business owners have complained of receiving unsolicited bills that demand immediate payment, repeat phone calls and visits from sales representatives, and even a bit of intimidation regarding fines and lawsuits.
Sacramento News & Review |
Nick Miller |
07-02-2009 |
Music
If Your Love is Cheap, Windows Loves Your Bandnew
Microsoft's Sponsored Songs program is the latest in a series of variably successful attempts by large companies to use independent music to reach a new audience. If it is to be a long-term strategy, though, many say it must form a stronger bond between the bands and brands it links.
Used MP3s: Hawking 'Old' Digital Music Files Through New Websitenew

A new crop of consumer-facing music stores is focused on helping fans resell "used" digital music the way they do CDs. But the big conundrum with digital music is that there's no way to prove sellers legally own the songs on their computers.
Nashville Scene |
Eliot Van Buskirk |
06-19-2009 |
Music
Record Store Day Arrives in Charlestonnew
Ironically, after almost 10 years, the plot of Empire Records has never been more current. Just as the film's titular shop faces extinction, so do the last remaining mom-and-pops still stocking discs. But in Charleston, things aren't so gloomy.
Charleston City Paper |
Bryan Reed |
04-15-2009 |
Music
Advertisers Go from Licensing Songs to Releasing Themnew

The synergy of marketing and indie music has evolved so swiftly that selling a tune for use in a commercial or video game seems almost quaint. Marketers aren't just horning in on the territory of record labels' promo departments -- they're starting to act like labels.
Chicago Reader |
Miles Raymer |
04-13-2009 |
Music
Change of Direction at SXSWnew
Ten years ago, SXSW was widely accepted as the ultimate opportunity for baby bands and A&R representatives to make goo-goo eyes at each other. But today younger, wiser bands don’t bat their eyelashes at the majors like they used to, and South by Southwest is all the better for it.
Boston Phoenix |
Michael Brodeur |
03-27-2009 |
Music
Tags: music industry, SXSW
Music's Biggest Party Reflects a Shifting Music Industrynew

The music industry is shrinking, but there are more bands than ever before, and more ways to hear them. A report from the frontlines of SXSW.
The Portland Mercury |
Ned Lannamann |
03-26-2009 |
Music
Tags: music industry, SXSW
Together, Live Nation and Ticketmaster Could Exert a Dangerous Amount of Powernew

When news of the proposed Live Nation and Ticketmaster merger flashed across the internet, it was accompanied by the same mix of panic and dread you'd expect in response to an announcement that great white sharks were carrying the Ebola virus and could now fly.
Chicago Reader |
Miles Raymer |
02-23-2009 |
Music