AltWeeklies Wire
Toro y Moi: 'Anything in Return'new
 
    
    Toro y Moi, AKA Chaz Bundick, makes a play for radio spots but may find himself lodged in the final rotation spot of the party's vinyl playlist.
  
    San Antonio Current  |  
    M. R. Brown  |  
    01-30-2013  | 
    Reviews
  
  Yo La Tengo: 'Fade'new
 
    
    How do you keep your sound fresh after over 20 years as a band?
  
    San Antonio Current  |  
    James Courtney  |  
    01-23-2013  | 
    Reviews
  
  
  
    Tags: Yo La Tengo
  How Sweet the Soundnew
Mississippi boy Elvis Presley’s “Ultimate Gospel” album is a favorite in the gospel genre.
  
    Jackson Free Press  |  
    Natalie Long  |  
    01-17-2013  | 
    Reviews
  
  Diamond Rings: Free Dimensionalnew
 
    
    When Toronto musician John O'Regan transformed himself from punk-band frontman to glam-rock diva on 2010's Special Affections, the results were a wonderful and skeletal album of electro-glam.
  
    Tucson Weekly  |  
    Sean Bottai  |  
    11-15-2012  | 
    Reviews
  
  
  
    Tags: Diamond Rings
  Mean Creek: 'Youth Companion'new
 
    
    Boston's Mean Creek play a bold and exciting guitar rock that recalls both '90s alternative and '80s post-punk.
  
    Tucson Weekly  |  
    Eric Swedlund  |  
    11-15-2012  | 
    Reviews
  
  
  
    Tags: Mean Creek
  Passion Pit's New Approachnew
Electro-pop group Passion Pit’s newest album addresses some heavy themes: “It’s more in-depth, and there’s a lot going on.”
  
    Jackson Free Press  |  
    Briana Robinson  |  
    11-09-2012  | 
    Reviews
  
  Meomena: Momsnew
 
    
    Portland, Ore.'s Menomena is a modern group yet to release a truly forgettable or misdirected album—more than can be said for most of their peers. Given the rather acrimonious departure of Brent Knopf, one might think Justin Harris and Danny Seim would have had to reinvent their sound...
  
    Tucson Weekly  |  
    Michael Petitti  |  
    11-04-2012  | 
    Reviews
  
  Bat For Lashes: 'The Haunted Man's Guitar'new
 
    
    Natasha Khan’s deliciously eerie The Haunted Man is an album for the end of the world.
  
    San Antonio Current  |  
    Isis Madrid  |  
    10-26-2012  | 
    Reviews
  
  Rosie Flores: 'Working Girl's Guitar'new
 
    
    Four decades haven't dimmed Rosie Flores' shine or dinted her swagger.
  
    San Antonio Current  |  
    Chris Parker  |  
    10-26-2012  | 
    Reviews
  
  
  
    Tags: Rosie Flores
  …And You Will Know Us By the Trail of Dead: 'Lost Songs'new
 
    
    Man, we needed this. After a decade spent slowly slipping into prog-rock absurdity (for reference, their last record featured a steam-punk fox with a laser gun on its cover), Austin's Trail of Dead is back to rocking the fuck out.
  
    San Antonio Current  |  
    J.D. Swerzenski  |  
    10-26-2012  | 
    Reviews
  
  
  
    
  Gary Clark Jr.: 'Blak and Blu'new
 
    
    Austin-based Gary Clark Jr.'s first major full-length album came preceded by a lot of hype.
  
    San Antonio Current  |  
    Enrique Lopetegui  |  
    10-26-2012  | 
    Reviews
  
  Muse: 'The 2nd Law'new
 
    
    You gotta hand it to Muse — in the tongue-in-cheek era, they are proud to be fucking ridiculous.
  
    San Antonio Current  |  
    J.D. Swerzenski  |  
    10-17-2012  | 
    Reviews
  
  Tame Impala: 'Lonerism'new
 
    
    For anyone who has taken on the burden of upholding a new band or artist, you've almost certainly been caught in the "they just don't make music like they used to" argument.
  
    San Antonio Current  |  
    J.D. Swerzenski  |  
    10-17-2012  | 
    Reviews
  
  Kiss: 'Monster'new
 
    
    The new Kiss album is out and it's exactly what fans were expecting.
  
    San Antonio Current  |  
    Leonard Pierce  |  
    10-17-2012  | 
    Reviews
  
  Mumford & Sons: 'Babel'new
 
    
    First, some numbers. Since its release in 2009, Mumford & Sons’ debut Sigh No More has moved 2.4 million copies in the U.S.
  
    San Antonio Current  |  
    J.D. Swerzenski  |  
    10-17-2012  | 
    Reviews