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Not Stranger Than Fictionnew

A love for stories alters lives.
Eugene Weekly  |  Molly Templeton  |  01-14-2008  |  Reviews

The Art of Lyingnew

Much of the critical response to the film adaptation of Ian McEwan's novel, Atonement, has focused on the film's epic scope and the intensely but tragically romantic story it tells. There has even been some comparison with James Cameron's Titanic.
Artvoice  |  George Sax  |  01-11-2008  |  Reviews

Lasting Impactnew

The powerful ending of Atonement will really hit you on the way home from the film.
Tucson Weekly  |  Bob Grimm  |  12-13-2007  |  Reviews

'Atonement': A Novel Treatnew

It's that rare combo: a good movie based on a good book.
Chicago Reader  |  J.R. Jones  |  12-10-2007  |  Reviews

Poison Pennew

Adaptation ponders the words that wound.
Creative Loafing (Atlanta)  |  Curt Holman  |  12-06-2007  |  Reviews

'Atonement': Error-Borne Illnessnew

Vanessa Redgrave's appearance reawakens the film, both because of the actress' exquisite ability with subtle emotion and a plot turn that reframes much of what you've just watched. For both the character and the filmmakers, atonement is achieved.
Washington City Paper  |  Tricia Olszewski  |  12-06-2007  |  Reviews

'Atonement' is More Than a Mere Novel-tynew

The film is true enough to McEwan's story and is made solidly enough to stand on its own merits, but lacks the book's brilliant meta-story.
San Diego CityBeat  |  Anders Wright  |  12-05-2007  |  Reviews

Tone Deafnew

Joe Wright doesn't have a clue how to film Ian Mcewan's novel, Atonement.
Willamette Week  |  Aaron Mesh  |  12-05-2007  |  Reviews

The Icy Beauty of 'Atonement'new

There's much to admire in the glassy expanses of this film, yet much that's puzzling as well.
Chicago Newcity  |  Ray Pride  |  12-05-2007  |  Reviews

So Respectable

Atonement delivers compelling filmmaking better analyzed than felt.
Salt Lake City Weekly  |  Scott Renshaw  |  12-04-2007  |  Reviews

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