AltWeeklies Wire

Factory Directnew

Steven Soderbergh's latest film experiment marvelously evokes small-town wage-slave life -- for a while, anyway.
Nashville Scene  |  Jim Ridley  |  02-08-2006  |  Reviews

Valley of the Dollsnew

Steven Soderbergh's Bubble bursts over a sleepy Midwestern town.
Dallas Observer  |  Melissa Levine  |  01-31-2006  |  Reviews

Interesting Distribution, Unspectacular Movienew

Soderbergh’s film is likely to be remembered as the adequate but unspectacular first volley in Mark Cuban and Todd Wagner’s modern experiment in vertical film integration.
Austin Chronicle  |  Marjorie Baumgarten  |  01-30-2006  |  Reviews

Director Casts Working Stiffsnew

Bubble doesn't exactly have the passion or the vision to suggest this is the creative itch Soderbergh has been longing to scratch.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  01-26-2006  |  Reviews

The Camera Starsnew

Steven Soderbergh's latest captivating achievement breaks ground in several ways.
Tucson Weekly  |  James DiGiovanna  |  01-26-2006  |  Reviews

Return of the Mavericknew

Steven Soderbergh challenges Hollywood with stark realism and groundbreaking distribution.
San Diego CityBeat  |  Angela Carone  |  01-25-2006  |  Reviews

Bubble Economynew

Steven Soderbergh's latest ushers in a new era of narrowing release windows.
The Village Voice  |  Anthony Kaufman  |  01-25-2006  |  Movies

Welcome to the Doll Factorynew

Soderbergh doesn't condescend to middle America, but he doesn't do much of anything else either.
The Village Voice  |  Michael Atkinson  |  01-25-2006  |  Reviews

The First Realistic Reality Filmnew

A truly amazing reality film (in every sense of the word), Bubble has produced a new approach: method acting taken to a different extreme -- call it "reality acting."
Dig Boston  |  David Wildman  |  01-25-2006  |  Reviews

Too Real to Feel Goodnew

Soderbergh's HD experiment is magic-free.
San Antonio Current  |  Cole Haddon  |  01-25-2006  |  Reviews

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